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Red-Rooms-(2024)

Red Rooms (2024)

Morbidity is somehow a part of being human. Often the need to rationalize an interest in darker things, true crime for instance, tends to fall under the saying “the lady doth protest too much.” This is also why it is refreshing to note that Pascal Plante’s Quebecois techno-thriller “Red Rooms” offers no explanations or excuses […]

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The-Substance-(2024)

The Substance (2024)

The pressure that comes with trying to achieve certain beauty ideals and an obsession with youth is not a new phenomenon. But Coralie Fargeat’s “The Substance” comes out alongside the defining period of Ozempic, where a single shot claims to address weight problems individuals struggled with over the past decade but did not want to

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