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Touch-(2024)

Touch (2024)

“Touch,” from Icelandic director Baltasar Kormákur, is vast in scope, stretching over decades, languages, continents, and cultures, with themes of memory, aging, loss, and love. But its sensibility is as exquisitely tender as the flutter of a butterfly wing. Kristófer (Egill Ólafsson) is an elderly widower and restaurant owner in Iceland who visits his doctor

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Longlegs-(2024)

Longlegs (2024)

Everything about Osgood Perkins’ “Longlegs” is designed to rattle you, unsettle you, and make you think about it hours or even days later. It’s a very purposefully exaggerated film, from the oppressive sound design to the heavily mannered performances, going for something closer to a cinematic nightmare than anything approaching realism. To that end, despite

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Escape-(2024)

Escape (2024)

The high-concept South Korean army thriller “Escape” clocks in at a swift 94 minutes long. It could have easily gone on longer. There’s simultaneously too much and not enough action in this intriguing, but underdeveloped story about a North Korean defector who, after ten years of military service, flees to South Korea. He’s pursued by

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Mother,-Couch-(2024)

Mother, Couch (2024)

From the moment Dave (Ewan McGregor) frantically walks across a deserted parking lot, “Mother, Couch” feels empty. Dressed in a black suit, Dave walks toward a furniture store filled with vintage, handcrafted pieces. At the front desk is the bubbly Bella (Taylor Russell), whose father Marcus and Uncle Marco (both played by F Murray Abraham)

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