“Dusk for a Hitman” is a husk of a great film. Director Raymond St-Jean has a sturdy central character though the crime drama is based on the real life of Montreal fixer Donald Lavoie, much of it is fictional made stronger through a deft ability to conjure a grim atmosphere around an actor capable of […]
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Say what you will about “Stress Positions,” the new indie comedy that marks the feature debut of writer-director-costar Theda Hammel: it’s not overly consumed with coming across as likable to potential viewers. Not only does it take us back to the early days of COVID-19 (an era that many audiences may not feel particularly inclined
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The fact-based “Hard Miles” begins with a failure. Social worker Greg Townsend (Matthew Modine) urges a judge to allow the resident of a facility for teenage boys who have been in trouble to allow him to stay there, even though he pushed another boy. Townsend explains that he was protecting someone else, not instigating violence.
Just when you think they’ve run out of real-life World War II stories to turn into blockbuster movies, some documents get declassified, inspiring or at least suggesting new sagas of heroism. “The Ministry of Ungentlemanly Warfare,” about a small mission of Allied fighters killing Nazis on a grand scale wherever they go, directed by Guy
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Murder mysteries usually present the offense at their center as a puzzle to be solved. There’s a reason the genre and its true crime sisters are often called “whodunits.” And that approach can work, building intricate illusions that are deeply satisfying when revealed a la “The Usual Suspects” or “Only Murders in the Building,” to
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Sophie Nélisse brings powerful subtlety to the title role in “Irena’s Vow,” accomplishing so much with her eyes, her presence, her ability to shift demeanor and tone quickly depending on the situation. Director Louise Archambault tells the inspiring true story of Irena Gut Opdyke, a Polish Catholic woman who dared to protect a dozen Jews
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Written and directed by Ena Sendijarević, the film is set in 1900 on a small and obscure Indonesian island, where a sugar plantation baron named Jan (Hans Dagelet) has apparently died. “Apparently” meaning that, as far as most of the characters know, he’s almost certainly dead, but they don’t have a body. This complicates the
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The truly impressive slice of nightmare fuel, “Disappear Completely,” premiering on Netflix today after a successful fest circuit run that included Fantastic Fest, almost feels like John Carpenter or Wes Craven’s “Nightcrawler.” Yeah, horror fans out there have probably already stopped reading this review and set about watching it. You’re welcome. Luis Javier Henaine’s film
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It’s well-established that Tom Cruise is too short to play the Jack Reacher of Lee Child’s novels, a broad-shouldered giant of an ex-military policeman described by the author in terms usually reserved for horror movie beasts. But between Cruise’s often steely, obsessive screen persona and his multiple-decades-long career as a leading man, he’s built up
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“LaRoy, Texas” immediately tests your expectations. Driving down a dark dirt country road, Harry (Dylan Baker), whose car headlights are the only beacons of life amid the barren clime, passes a broken-down truck parked off-road. A few yards later, Harry spots the possible driver of the abandoned vehicle, picking up the stranded soul, a bearded,
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