Robert

Why is it that crime big wigs in movies enjoy wasting ammo so much? Late in “Bring Him to Me,” a new heist-and-its-aftermath thriller directed by Luke Spark from a script by Tom Evans, a ruthless boss dispatches one of their soldiers by shooting a heavy-looking automatic into them eight or nine times, when the […]

Cinema is replete with examples of stories about old couples getting their groove back in their later years. Old age is, after all, a kind of new adolescence, as kids grow old, careers become less important, and your dwindling remaining years gives you more license to throw caution to the wind. That is, if you’ve

The conceit of a tortured and socially maladjusted artist whose obsessive pursuit of their craft pushes them into madness with grisly results is a familiar horror movie premise, one that has covered subjects ranging from beatnik sculptors (the Roger Corman classic “A Bucket of Blood,” with the legendary Dick Miller killing people and covering them

“Io Capitano” plays like it was made for the Best International Feature Oscar race. It’s a type of film usually middle-of-the-road, always well-intentioned that’s designed to tug on the heartstrings of Oscar voters, putting a prestige gloss onto “important” stories, securing its country’s all-important ballot slot in the process. As craven as this process can

Ponderous and dull, “History of Evil” is the kind of script that plays with hot-button ideas instead of having a single thing to say about them. It seems clear that we’re in for a wave of films about the increasingly divided state of the country in the 2020s films like Alex Garland’s upcoming “Civil War,”

“If you’re gonna survive in these hills, you’ll have to get used to a little blood,” purrs Big Cat (Andie MacDowell), an Appalachian drug kingpin just before she has her goons feed a Sheriff’s deputy to her guard dogs. That’s the dime store pulp novel vibe of “Red Right Hand,” from first-time screenwriter Jonathan Easley

Just because we know where a movie is going does not mean we don’t enjoy getting there. That’s especially true when it has a solid script and a two-time Oscar-winner in a role with three key elements beloved by audiences: she’s a mess, she pulls herself together when she finds a heartbreaking story everyone else

In August 1991, an accomplished freelance writer named Danny Casolaro was found in a scene at the Sheraton Hotel in West Virginia that was so hideously bloody that one of the respondents reportedly fainted. With multiple slash wounds to his wrists, the medical examiner ruled Casolaro’s death a suicide, but those close to the journalist

Released in the spring of 2020, Jeff Chan’s anti-police sci-fi action film “Code 8,” produced and starring cousins Robbie and Stephen Amell, flew mostly under the radar, despite its timely themes. Although a sequel series fell apart with the collapse of Quibi, the franchise has found new life with a Netflix-backed sequel. Like its predecessor,

With the current abysmal streaming landscape where shows are thrown onto services to collect dust like old VHS tapes, it’s impossible not to feel like TV has been in need of shows that feel like an event. The times of epics like “Breaking Bad” are long over, as are the times where series were able