Justice League: Crisis on Infinite Earths – Part One: You might think it’s kind of wild for someone to say, especially considering the present circumstances, but I’m absolutely done with the multiverse. I guess it was pleasant the first few times — I mean, I will always cherish the first time I saw the cute […]
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Justice League: Crisis on Infinite Earths – Part Three is a movie that can be remembered as the first real superhero animated trilogy. No doubt the DCAUM had its share of Batman and Justice League films which were seamless urban legends but none ever truly propelled itself into completing a grand trilogy. Out of the
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This Australian animated film is a continuation of 200% Wolf and two seasons of television based on the works of the author Jane Lyons. We once more see young ‘werepoodle’ Freddy Lupin, who stands up for the pack. Despite being accepted among his werewolf brethren, Freddy (Ilai Swindells), the poodle counterpart of his father, is
Yasmeen’s Element: Amman Abbasi is a well-known Pakistani-American filmmaker who made a name for himself following the release of his first movie Dayveon (2017) which won slots at the Sundance and Berlin International Film Festivals. His second feature, Yasmeen’s Element, is among the films in Narrative Spotlight section at the SXSW 2024 TV & Film
Mountain Boy: Within Dr. Michele Ziolkowski’s children’s book series The Boy Who Knew the Mountains comes the feel good film “Mountain Boy” produced by Nancy Paton and Meredith Brett. Suhail an autistic boy, who lives in seclusion in the mountains, has been cut off from interaction with the outside after a certain sequence of events.
The Killers, as a rule, is referred to as the best example of Film Noir, I do not believe this moniker really suits them. It goes without saying that it is one of the best films noir of the 1940’s and also has a plot structure based on Welles’ famous film, The Third Man. Particularly
After successfully completing the Marvel Cinematic Universe project styled “Captain Marvel,” for which they were helmed by Ryan Fleck and Anna Boden, who consider themselves more as indie filmmakers, their affection for the East Bay late 80s goes overrated in “Freaky Tales.” What does this have to do with a confused but 10 year old
“The Book of Clarence” which is religious in nature and is done brilliantly by Jeymes Samuel, the seemingly all-knowing producer is captivating but devoid of plot. Set in the year 33A.D. Jerusalem, the focal character of the film Clarence (LaKeith Stanfield) who is a street hustler, is treated in Samuel’s script as a ‘girl on
Sasquatch Sunset: In a children’s book of Yeti’s stories, four extremely thin tall creatures appear lumbering in a forest. They walk; they consume food; they construct, and they do it all over again. The gaggle makes use of and shares various unbecoming sounds including growls, screams and whoops yet we are not included in these
It is a dismal tale in the faux genre turning Futuristic that is the debut feature film, meanwhile on earth written and directed by Jérémy Clapin. The past is full of such ambitious ideas which have now become naive and dulled fantasies while the same cannot be said of the present as it is only
