Review

Shōgun-(2024)

Shōgun (2024)

With the current abysmal streaming landscape where shows are thrown onto services to collect dust like old VHS tapes, it’s impossible not to feel like TV has been in need of shows that feel like an event. The times of epics like “Breaking Bad” are long over, as are the times where series were able

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Megamind-vs.-the-Doom-Syndicate-(2024)

Megamind vs. the Doom Syndicate (2024)

The original “Megamind,” released in 2010, was a fresh, funny, and heartwarming animated film with wildly imaginative visuals and A-list voice talent, including Will Farrell, Tina Fey, Brad Pitt, Jonah Hill, and David Cross. Fourteen years later, this new straight-to-streaming flick is not fresh, with derivative visuals and mostly nondescript voice talent. It is intermittently

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Problemista-(2024)

Problemista (2024)

Since his breakout sketches on “Saturday Night Live,” Julio Torres has established himself as a surrealistic comic. He graduated from the show to co-creating and starring in the quirky horror comedy series “Los Espookys” as the deadpan blue-haired diva Andrés and the solo special “My Favorite Shapes by Julio Torres,” which true to its title,

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The-Regime-(2024)

The Regime (2024)

Few things are as alarming in modern day American television as dialogue-heavy screenplays fully loaded with insults, jokes, withering monologues that say nothing at all. If characters were properly fleshed out, their words would reveal their backstories, inner workings, motivations; but when they’re written as flatly as those on HBO’s newest limited series, “The Regime,”

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