The Painter
The Painter
The Painter this drama tells the story of an A former CIA special operations officer drawn back to a violent life when he is stalked by a lethal black ops program and a woman he can’t shake off.
One of the characters in The Painter, which is directed by Kimani Ray Smith and was scripted by Brian Buccellato, mentions that “the painter” is also a painter however at such a creativity (in brackets this word is generous) is the standard bearing in mind the work of the director. The plot revolves around a CIA couple who are pregnant with their first child but everything changes after they learn that they are in the same case but on opposite sides. A pregnant woman is caught in crossfire and though she survives the birth, her baby dies and such events inevitably cause a deep crack in the relationship between two people as Peter Barrett, whom Charlie Weber portrays, after resigning from the service tries to engage more in painting during the next 17 years.
Jon Voight, a famous actor, was cast for the role of Byrne who played Peter’s guardian, a surrogate father, throughout the missions. It feels as if the filmmakers want to tell the audience the story they are about to watch is as cliched as possible with the certain betrayals. Peter’s family was murdered and he was thereafter adopted by Byrne, who in project management terms was described, and this all comes from the same source – terrorists (without elaboration), who weaponized his young son’s wrecked ears and fragile hearing to turn him into a well-rehearsed assassin at an extremely young age.
The CIA came to understand the radiological and chemical warfare they were conducting in Pakistan, revealed several agents that were in the US began an entire program aimed at replicating that success using a slightly different approach — forced blindness. One candidate or Ghost was a young boy who was brought in as an incredibly indifferent but slightly sadistic killer, a boy who would do most of his work while listening to music on headphones. Of course, he has been sent to kill Peter because it is assumed that he has got some extremely sensitive content.
Next, a teenage girl named Elena (Rryla McIntosh) bursts into Peter’s John as the story develops and claims that Sophia (Madison Bailey) is her mother and has been sent out to find her father for his protection. Then, several action sequences ensue involving gun-fu in range combat where only the later makes an occasional painful impression. The shooting in GTA is often prevented from an overdose of cutting. Once again, the whole cut completely also applies to Charlie Weber who is rather dull in the characterization and doesnt have much to do and so fails to bring the violence in the film out.
There is little said on the efforts made to create an emotional connection between the father and daughter who have met for the first time under such circumstantial shadows and who has been told by the parents for 17 years that she has died at birth. But the most serious failure appears to be that The Painter is not quite certain how to treat its principal, literally conceived action of attacking the blindness and deafness of the visually and auditory disabled – it is emptiness of more than dramatic. In a film which is completely deranged and over-loaded with retarded context and space drab that is not ever needed.
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- Genre: Action, Thriller
- Country: United States
- Director: Kimani Ray Smith
- Cast: Charlie Weber, Jon Voight, Madison Bailey
