Born from the still unbridled creativity of children, where an empty room and a random assortment of objects can inspire the most whimsical of adventures, imaginary friends respond to each young mind’s needs for companionship. The intricacies of these invisible entities and their relationship to their human creators is the subject of Japanese director Yoshiyuki […]
Mia Goth and Ti West took the world of arthouse horror by storm in 2022 with the one-two punch of “X” and “Pearl,” distinct and original films within a bold, new cinematic universe. “X” was a grisly homage to ‘70s slasher flicks, while the prequel, “Pearl,” was the duo’s twisted take on the Technicolor of
In Jeff Lipsky’s films, it’s normal for characters to talk for ten minutes straight, and it’s normal for other characters to listen without interrupting. You have to just go with the convention. Or, not. You don’t “have” to do anything. If a director doesn’t establish a context and style, if the actors aren’t skilled enough
You can almost hear the elevator pitch: “Legally Blonde” in space, an under-rated ditz who doesn’t dress or talk like the snobbish types with the gilded resumes but shows she has the right stuff. Then maybe add a little bit of “The King’s Man” for some action, and here we are. Emma Roberts plays Rex,
It’s natural to be suspicious of an Angel Studios picture; after all, the Utah-based movie studio made its mark last year with the surprising box office success of the child-trafficking thriller “Sound of Freedom.” The film raked in $242 million off the back of a QAnon conspiracy-peddling star and the overwhelming sensation of fighting back
“Despicable Me 4” won’t win any prizes, but if you like this kind of thing, you’ll like this thing. I laughed. The dumber and more random the jokes, the harder I laughed. The kids I saw it with laughed harder. Often what’s onscreen is humor no more sophisticated than a young father goofing around while
Not that long ago, a legacy sequel like “Beverly Hills Cop: Axel F” would have made a fortune at the box office over the Fourth of July weekend. But times have changed, and the long-awaited fourth film in the Eddie Murphy series is dropping on Netflix instead of in the multiplex. While streaming services sequels
With her creamy wardrobe of tasteful neutrals and dreamy mansion in the Paris suburbs, Léa Drucker’s Anne has created an impenetrable exterior for herself in “Last Summer.” At least, that’s how it looks from the outside. But Anne doesn’t know she’s the main character in a Catherine Breillat movie, and so she–and we–are up for
A searing drama about a European refugee crisis that resonates with similar crises in Africa, Asia, the Middle East, and yes, America’s southwestern border, Agnieszka Holland’s “Green Border” strikes me as the best and most important film to be released in the U.S. so far this year. That judgment is due not only to the
Dialogue can lie, but faces tell the truth. Stories are told through faces. It takes enormous trust on the part of a director to allow this to happen, to let the faces do most of the heavy lifting. “Daddio”, written and directed by Christy Hall, is a film about faces, and this is pretty extraordinary
