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Fancy-Dance-(2024)

Fancy Dance (2024)

The story of settler colonialism in North America is one of disappeared Native women, fractured families, lost language, and forced assimilation. Cinema has also played a role in this cultural violence, depicting Native people as stubborn, violent barriers to progress. But what, effectively, is this progress? What are we as a society supposed to be

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Copa-71-(2024)

Copa 71 (2024)

The #1 record holder for attendance at a women’s sporting event in history was a gauntlet fought on and off the field, a feat you likely haven’t heard of. It’s Copa 71, the first, though unofficial, women’s soccer World Cup. Co-directed by James Erskine and Rachel Ramsey and executive produced by tennis icons Venus and

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Chestnut-(2024)

Chestnut (2024)

For most college students, the hazy, liminal space of a post-graduation summer marks the end of the familiar and the beginning of more uncertain futures. Unlike the transition from high school to higher education, the move away from college life is akin to finally removing the training wheels off of a bike. There are no

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Humanist-Vampire-Seeking-Consenting-Suicidal-Person-(2024)

Humanist Vampire Seeking Consenting Suicidal Person (2024)

Vampires are all the rage in film and television these days. Some of them run hotels (“Interview with the Vampire“), some live polyamorously in Staten Island (“What We Do in the Shadows“), and some dance the ballet while torturing their enemies (“Abigail“). Creative depictions of modern vampires have evolved. Storytellers are more cognitive in their

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She-Rises-Up-(2024)

She Rises Up (2024)

Documentary filmmaker Maureen Castle Tusty’s newest film, “She Rises Up,” is a dossier about the international economy and a trio of women trying to carve their space within it. Focusing on the stories of Magatte from Senegal, Gladys from Peru, and Selyna from Sri Lanka, “She Rises Up,” allows these women to discuss the relationship

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Hummingbirds-(2024)

Hummingbirds (2024)

It feels limiting or a disservice to call “Hummingbirds” simply a documentary. This quiet gem from best friends and first-time filmmakers Silvia Del Carmen Castaños and Estefanía “Beba” Contreras is so much more than that. A glowing self-portrait of their friendship, a call to activism, a summer bestie comedy full of devilish antics, and a

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