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Andromeda 3

Andromeda 3

The movie, Andromeda 3 describes itself as “A young man must travel to the furthest reaches of the universe to find his long-lost father.”. The film poster shows a Terminator skeleton and armoured figures fighting. It sounds like Ad Astra meets Star Wars, right? If you were hoping for that by watching Andromeda 3, you’re […]

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Kaaduvetty

Kaaduvetty

In “Kaaduvetty,” director Solai Arumugam relates an interesting tale about women’s respect and their safety that people should normalize. But as the narrative unfolds, one sees the issue of respect, cutting across caste, race, and communities, making it even more combative – socially, at best. “Kaaduvetty” is a story of inter-caste love between Dakshayini, a

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The Queen’s Ball

The Queen’s Ball

The Queen’s Ball: Ever since I heard rumors that The Queen’s Ball: A Bridgerton Experience was coming to Australia, I have been completely beside myself. This was something I always wished would come here but never thought it would – especially not in my town. Like many people I am aware that there is no

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Runner

Runner

Runner spans multiple aspects encompassing sports, immigration and even the violence that is Sudan. One hoping for such a story, however, is confronted with all the strangeness of deep documentary but completely realized by the figures of Bill Gallagher. – you would assume he invented it. Every inch of the herein referenced story is magnificent.

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We the People

We the People

The theatrical release of God’s Not Dead: We The People will occur on October 4-6, 2021 in the US. This is the fourth part of the franchise called God’s Not Dead and examines self determination, family values and religious freedom. It’s a movie with an overall wholesome approach and is suitable for children: it contains

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Turbo

Turbo

Turbo flaunts the fighting spirit of a genre’s creature and gets praise for that from the arrogant thugs applauding from the sidelines (e.g. “What a bloody cliche”, “classic” etc.). This might have been thought of as a theatre-erupting moment in the narrative of Midhun Manuel Thomas rather. On screen it sounds more of a convenience

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