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This was a short and low-effort movie, so I’m going to be doing the same for the review. Hopefully, you’ll also be as amused as I was watching the film, and the title will also have grabbed your attention. Ironically, it took me longer to write and upload this blog post than it did for […]

You can almost hear the elevator pitch: “Legally Blonde” in space, an under-rated ditz who doesn’t dress or talk like the snobbish types with the gilded resumes but shows she has the right stuff. Then maybe add a little bit of “The King’s Man” for some action, and here we are. Emma Roberts plays Rex,

“The island was teeming with life. And now it had a new kind of life,” writes Peter Brown in The Wild Robot. “A strange kind of life. Artificial life.” The extraordinary film adaptation of Brown’s The Wild Robot bursts with life and energy. It gives a jolt to studio animation in a sea in which

It’s natural to be suspicious of an Angel Studios picture; after all, the Utah-based movie studio made its mark last year with the surprising box office success of the child-trafficking thriller “Sound of Freedom.” The film raked in $242 million off the back of a QAnon conspiracy-peddling star and the overwhelming sensation of fighting back

A tough American man (with a hint of the gangster) and a beautiful woman (foreign, exotic) are trapped in an Axis country before America’s entry into World War II. The bad guys are closing in but our heroes are about to get away. Then at the last minute he tells her to go on without

“Despicable Me 4” won’t win any prizes, but if you like this kind of thing, you’ll like this thing. I laughed. The dumber and more random the jokes, the harder I laughed. The kids I saw it with laughed harder. Often what’s onscreen is humor no more sophisticated than a young father goofing around while

“To Live” is a simple title, but it conceals a universe. The film follows the life of one family in China, from the heady days of gambling dens in the 1940s to the austere hardship of the Cultural Revolution in the 1960s. And through all of their fierce struggles with fate, all of the political

Not that long ago, a legacy sequel like “Beverly Hills Cop: Axel F” would have made a fortune at the box office over the Fourth of July weekend. But times have changed, and the long-awaited fourth film in the Eddie Murphy series is dropping on Netflix instead of in the multiplex. While streaming services sequels

The Yakuza have hired hitman Takama Tsurugi (Sonny Chiba) to take care of two men, one who has gone to the police and another who has stolen a priceless statue. They both know too much and when they say “take care of” they mean eliminate, so off Tsurugi goes on his motorbike to get arrested

Who are we kidding? You know damn well what the score is going into any flick called Navy Seals Vs. Zombies, it’s going to be a low-budget action/horror hybrid with a smattering of D-list stars crummy effects, atrocious dialogue, poorly-staged fight sequences, risible acting, and no real point to it. And to be sure, director