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Janet-Planet-(2024)

Janet Planet (2024)

When the young, melancholic Lacy (Zoe Ziegler) begs her mother Janet (Julianne Nicholson) to pick her up from summer camp early, it feels urgent. “I’m going to kill myself,” she says. “I said I’m going to kill myself if you don’t come get me.” Janet arrives the next morning, but Lacy’s tune has already changed: […]

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Fancy-Dance-(2024)

Fancy Dance (2024)

The story of settler colonialism in North America is one of disappeared Native women, fractured families, lost language, and forced assimilation. Cinema has also played a role in this cultural violence, depicting Native people as stubborn, violent barriers to progress. But what, effectively, is this progress? What are we as a society supposed to be

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Copa-71-(2024)

Copa 71 (2024)

The #1 record holder for attendance at a women’s sporting event in history was a gauntlet fought on and off the field, a feat you likely haven’t heard of. It’s Copa 71, the first, though unofficial, women’s soccer World Cup. Co-directed by James Erskine and Rachel Ramsey and executive produced by tennis icons Venus and

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Chestnut-(2024)

Chestnut (2024)

For most college students, the hazy, liminal space of a post-graduation summer marks the end of the familiar and the beginning of more uncertain futures. Unlike the transition from high school to higher education, the move away from college life is akin to finally removing the training wheels off of a bike. There are no

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Fast Company

Fast Company (1979)

As an esteemed drag racer, Lonnie “Lucky Man” Johnson is busy modifying his Fast Company-sponsored car at a racetrack. During the first car test-tap run, the engine blew off, but fortunately, Lonnie was untouched. This incident did not amuse the FastCo team administrator Phil Adamson, who told the chief mechanic Elder that the company doesn’t

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Humanist-Vampire-Seeking-Consenting-Suicidal-Person-(2024)

Humanist Vampire Seeking Consenting Suicidal Person (2024)

Vampires are all the rage in film and television these days. Some of them run hotels (“Interview with the Vampire“), some live polyamorously in Staten Island (“What We Do in the Shadows“), and some dance the ballet while torturing their enemies (“Abigail“). Creative depictions of modern vampires have evolved. Storytellers are more cognitive in their

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