Review

Letitia Wright gives a quietly powerful performance in “Aisha” as a young Nigerian woman seeking asylum in Ireland and struggling to overcome one bureaucratic obstacle after another. Writer-director Frank Berry’s film never devolves into melodrama–if anything, it may be understated to a fault–but he grounds her plight in an authentic mixture of daily frustrations and […]

One of the pleasures of being a critic is getting assigned to review a film you might not otherwise have seen. 2021’s “The Dry” was one of those, a taut moody drama/thriller based on Jane Harper’s best-selling novel (the first in a series). It starred Eric Bana as Melbourne cop Aaron Falk who returned to

Three people sit down to dinner at a remote cabin in the woods. Before they eat, they fold their hands and say grace. But they are not thanking God; they are thanking the cabin itself, which they have given the Biblical name of Lazareth, and which Lee (Ashley Judd) describes as their source of protection,

Black people are the architects of American culture. The hip verbiage many young people speak, the music they consume, and even the most influential art among what could be called hipsters are derived from Black people. Our distinctive perception of the world has become a pavement for creativity, and social media is no exception. During

“Ticket to Paradise” starring George Clooney and Julia Roberts and “Shotgun Wedding” starring Jennifer Lopez and Josh Duhamel. Most recently, “Anyone But You,” starring Sydney Sweeney and Glen Powell, got rave reviews and made bank at the box office. So it was about time a watered-down Netflix version of this new sub-genre emerged. Enter “Mother

In 1964, Robert Rauschenberg won the coveted Golden Lion at the Venice Biennale, an international exhibition of contemporary work. The documentary “Taking Venice” is about the behind-the-scenes maneuvers that resulted in Rauschenberg taking the prize. Director Amei Wallach, an art critic and specialist in fine arts documentaries (she also did “Ilya and Emilia Kabakov: Enter

When Rupert Wyatt’s 2011 prequel “Rise of the Planet of the Apes” revived a five-decade-old franchise one that spanned books, films, TV series, and comics since the ’60s it did so with a refreshing commitment to a powerful, timeless story: simple but not simple-minded, deeply emotional but far from corny. Portrayed via groundbreaking performance capture

“Last Stop in Yuma County” is the kind of movie where you root for the worst to happen, because every escalation of misfortune makes things more entertaining. Written and directed by Francis Galluppi, “Yuma” is a period piece that makes the most of a small budget. It’s set in the Arizona desert, roughly fifty years

A handsomely produced, nearly empty experience, “Unfrosted: The Pop-Tarts Story” is hard to describe because it’s tough to tell what the filmmakers were going for, much less argue about whether they achieved it. I say “filmmakers” plural because in theory, it’s a collaborative medium. But here the buck stops with Jerry Seinfeld, who directed, produced,

Ethan Hawke attempts to breathe new life into the biopic structure with mixed results in “Wildcat.” What is certain is that he’s drawn a rich and multilayered performance from his daughter, Maya Hawke, in the starring role. As director and co-writer alongside Shelby Gaines, Hawke tells the story of Flannery O’Connor by imagining that her