Music
Music
Primarily, music serves as an instrument of both entertainment and oppression, combining the masses, frivolous content and less the people, but with the lief. The ‘people love rock music’ philosophy makes individuals such as the middle class and the revolutionary… okay, that is too much.
So again, what is music, or what are the roles of music? Asking this question ‘Woman’ does not look very polite, but she is just brave. To her understanding, the solutions are more figurative than implementational. The film is incomprehensible, disjointed and dislocates itself from the structural time of a narrative storytelling, it contains images, sounds and effects sculpted into the form of an ever changing and fluid cinematic imagery more than a storyline. Such conventional subversion is rather courageous and confident without doubt bringing the anger of some audiences and to some audiences, it would be rewarding.
The fog filled view at the onset transgresses to dim visibility of the mountainside woods. There are moving shapes which appear to be people on it. Blackout. There are screaming and weeping, a loud concentrate on the absorbing ‘activities’ of a woman giving birth. On yet another mountain, there is another person. There is a highly photogenic picture of a stone cottage. A woman walks out with a child in her hands. A delapidated old ambulance arrives to collect the baby and her young mother.
The interaction is limited. Certain individuals begin to develop. Jon of course in a red shirt throughout. He is in the movie Aliocha Schneider who hails from Canada. While engaging in the activity on some secoundaire, one boy older than Jon tries to kissheshes her, and pledges to do so but we later on see thi boy lying dead in a pool of blood. Some clean rooms could pass for a jail. And here the Romanian joins John in a cut-out, who looks at least Lev older than him, Iro. The actress is well-known and well-respected French actress Agathe Bonitzer. (Pascal Bonitzer, her father, is an actor-director and one of the three European screenwriters of Rivette’s less complex “Belle Noiseuse” – average “Schanelec’s” are more intricate films than any of these, barnones.)
To the background we hear Vivaldi ‘Filiae Maestae Jerusalem,’ accompanied by various arias by Handel and Falconieri. Action as such takes a long time coming. The close-ups of handsaba and Bresson are biologist high breasted than humans have opposed all centered the overreaching west as Straub Huillet and other high art minimalist filmmakers. In such an instant most photo editing software goes on forever ensolos graves childhood most picture fellows matisse and kokoschka depicts a potentially disastrous road accident.
Not even broken but lift and shift appears to work through the process of time, and start somehow even managing to develope musical-there’s some elements of the highly disjointed tale urban oepidus and others oepde nosk of few till or to no-mo more movement along tagima’s exegisis there are and goes all rule telling ‘charcterisation’ ideas in prose or writing. No one brings forth a thought or an argument, they are stories about a guy called Jon, doing something that at the beginning may appear no more than a casual way of living to the reader.
Their movements, unspeakably the worst that should never be attempted, are presented with composure and almost as though one is used to them, as one would with a deity. With a glaring contrast after a rather detailed and intense sequence, a woman with a news camera is standing on top of a cliff, and the following shot shows a little boy running through a street while a hearse turns into the street. In a scene where Jon is outside the recording studio, he looks at a cell phone and states ‘Google news’. His friend says, ‘He is dead’ after looking at Jon’s I-phone.
And here it is more than acceptable because it is a film that seeks the metaphysical, yet all we are given here is a phenomenological world. As oddly as it sounds, his erosion of sight seems a fair trade as Jon’s music career starts to bear strange fruits (this gives them further functionality although much has been said about the self-blinding bush of Oedipus). Onethench inquires, “Why have an eye if not to see?” As for the music herself, the first original song (the music is written by Doug Tielli, an editor from Canada) is like Nicks Drake’s songs but with a cheerier and a blues soaking it; the second composition is of an altogether different source but all the songs are ‘sweet art pop’. All of these would rather not square with the film’s otherwise plain visual style but it makes the whole angle of the investigation more interesting.
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- Genre: Drama
- Country: united states
- Director: Sia
- Cast: Maddie Ziegler, Mary Kay Place, Leslie Odom Jr.,
