Temurun
Temurun
Temurun is an Indonesian cinema that exposes you to horror and thrill and keeps threatening you as the movie nears the end. With weird practices and some startling events in the story, it keeps you fascinated, but gets you clueless with its practical conclusion. In addition, it seems to attempt to deliver a message which further adds to the tangles that you are left in at the end. Takeru: The genetic domain is abused – The Endless Dream: CyberDoll fight. The main versed premise defends the complex essence of nursing and its relation to marriage and, hence motherhood.
The focus in the film lies on a brother and a sister known as Dewi and Sena whose lives change unexpectedly when their mother dies and brings them to their father and their father’s mother. However, there is something that is hidden from them and that is a lasting legacy that God wants to leave them with and that they will not like. Dewi is devastated by their mother’s death and thus is unable to move on with her life, creating room for the darkness within her to rise and embrace herself with the ominous joust.
Dewi and Andru’s mother has no job and hence their father decides to leave the family, which then raises two kids from one side of a broken home. The movie begins with two children who are not detailed regarding their father, as they have been made to carry the weight of her mother’s feud. The children have been depicted in the film as people who are struggling financially and an extra burden is added to them which is the selling of Drews’s house.
The film has played some sort of blame game which only increases with the death of the father too. Dewi loses her mother and that loss is a window which evil beings use to advance in their evil schemes….The entire drama revolves around her and so does the emotional charge which shifts from saving her and carrying her burdens to vilifying and utilizing her. There is nothing changed in the character energy throughout the movie.
Maybe it is nice to put on paper many versions of what the story could lead to further in the film, but it never leaves the audience without a jaw dropping moment during the conclusion. It is this dynamic that baffled me in the movie, and yet at the same time, made an impact on me. The story itself was captivating however plain, and the twist at the end was what set it apart from the rest of the horror flicks, where the lead actor gets to survive at the end like usual.
For those who love watching horror movies, the question usually boils down to how good or how bad is the cinematography of the film. They include splotches of blood over the white slaughtering table, painted satanic faces, and nausea just before, during and after sacrificial death and other horrors. This is nothing new as all these creators give the film the cliche of this genre.
The cast, on the other hand, has been able to deliver quite a number of blows which are a bit disappointing. While some have given us standout performances, some have merely performed next to nothing but instead churned out mediocrity. Yasamen Jasem was rather effective as Dewi sparing no efforts to make the audience understand Dewi’s torment over not being able to save her mother. Karina Suwandhi is yet another actress who blew my mind away each time she was on screen. This did not bide well with Dewi and the audience as well.
So far, there was hardly any suspense, fear or tension and it felt more of a captivating story of the grandmother telling the children how the family ritual is conducted to them. Out of which only a couple surprises that are just jump scares and are not worth your energy since you will very soon get used to them so there is no horror. And this is likely their biggest fanbase assuming them that really enjoy these horror movies.
Temurun is a drama about a cursed family who engages in supernatural evil activity with an especially curious lesson about how one’s feelings can make one a slave to others. There are some disappointments in the plot moments as well. However, Even though this is a tough one, I would propose that horror fans do not bother with this, it could be an interesting one time watch when you want something very slightly horror (yes there are those kinds of people who can’t watch anything in the horror genre and thoroughly dislike the genre).
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- Genre: horror
- Country: United States
- Director: Inarah Syarafina
- Cast: Yasamin Jasem, Bryan Domani, Karina Suwandi