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Freedom-(2024)

Freedom (2024)

As an actor turned director, Mélanie Laurent’s film ‘Freedom’ does not have any standout issues that stand out. However, the production has been greatly animated, the movements appear more than fine, and the key protagonists seem unbelievably well-matched with the locations. Such is not uncommon as it is said that for some film buffs that […]

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After:-Poetry-Destroys-Silence-(2024)

After: Poetry Destroys Silence (2024)

The documentary “After: Poetry Destroys Silence” highlights the contributions historians and poets make in reconstructing events of unthinkable tragedies. Where the movie’s compositional and auditory presentation complements the featuring poets, who vividly recite and elaborate on the notion of communication that accentuates the residuals of factual recitation, archival images, and dramatic reenactment. Even as the

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The-Gutter-(2024)

The Gutter (2024)

The Gutters (2022), written and directed by the Lester brothers Isaiah and Yassir, being an afro-american, made me realize that the color community can make ridiculously dumb heated comedies too. Shameik Moore plays the role of Walt, an idiotic guy who barely has clothes. Most of the time, he ends up messing up and so

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Absolution-(2024)

Absolution (2024)

Liam Neeson’s transition into an action hero came with the unexpected success of the film ‘Taken’ which was worldwide IllMaim Neeson’s skill set and translates it into commercial violence. He has portrayed various characters in that skill set that the audience has taken a liking to. Having passed the mark of 70 now, Liam has

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Juror-2-(2024)

Juror #2 (2024)

‘Juror #2’ is a classic and one that is a treat for the viewers; Clint Eastwood, a 93-year-old, shows no signs of aging, but rather showcases a perfect fusion with the courtroom style. With other productions we’ve seen such as ‘The Mule’, ‘Cry Macho’, and ‘The 15:17 to Paris’ being slight letdowns, it is a

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No-Other-Land-(2024)

No Other Land (2024)

As the bulldozer hovers behind the house, demolition imminent, a woman screams, “My daughters are still in there!” at the soldier pushing her out the door. The soldier says, with no feeling or hesitation, “Doesn’t matter.” “Doesn’t matter.” The coldness of it, the dehumanization, is so complete it’s shocking, even after everything else we’ve seen,

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