This time I think it works the best of the trilogy, not least because there are a few good GWG here that can be found, not only Secret Service Agent Alex McGregor. After taking ten years to get to the first form from the third, the gap between the first and second is substantially shorter. This time, rather than Hemingway, Tarantino’s alleged muse for casting her in Kill Bill, Hannah is playing her with the latter declining for a possible head. My schedule worry and the script clash solid conflicting convocation turned a bit more middle than I originally filmed the open attack on President Jonathan Hayes of First Daughter. With a nod back as a training exercise, this time it was just.
McGregor, who is now the head of the Secret Service, is really cracking the whip on new agent Kelsey Innes, and I suppose there is a good reason why he is so hard on her because McGregor was treated the same way. But right now, there’s more important business to attend to, because the Vice-President has a schemed plan to kill his boss and take over. To achieve this, he has brought on board international hitwoman Nina Stahl (Grauer) and her brother, a hacker, who intends to take out Harrison in Seattle during a ceremony with aid from a mole in the local Secret Service office. Grant Coleman (Savant), the wilderness guide from the first picture, is also back and I must say, his endurance is commendable because his attempts at proposing to Alex have not only failed repeatedly but to top it all off, his girlfriend looks nothing like she did in the last movie.
The idea is still somewhat goofy, but at least the menace here is real, with Stahl being a fairly decent enemy visible to McGregor, Innes, et al. She also adds a nice touch of feminine mystique to her job, and I was rather taken aback to witness an openly incestuous undertone involving her sibling. There seems to be some hint of Stahl having come in from another series altogether. Once more, it contrives to be rather frustrating that Grant ends up having to do so much, in this instance facing off with Nina, while Alex is slogging her way up the mountain toward the assassin. Still, the heroine does get some blows in, and outsmarts everyone else first.
As opposed to the First Daughter, it seems that the majority of the people involved here are relatively intelligent or, at the very least, act as if they are. The irritating teenage Presidential daughter who is apparently covered in tattoos these days has not been sighted nor heard from and her absence truly does feel like a step in the right direction. The movie is still quite limited in scope as a TV film, and the cuts to commercials are always painfully clear, even if they don’t correspond with the Tubi commercial breaks which does not help the situation however. Still, I was certainly amused, and if I had watched this on TBS when it first came out at the turn of the millennium I certainly wouldn’t have switched the channel. It nearly makes me want to re-evaluate First Shot and determine whether or not I was too critical of it. Almost.
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