Somu Sound Engineer
Somu Sound Engineer
How to every challenge, people have different responses which form the complexities of humanity, and the line that separates the good from the evil. Somu Sound Engineer by Abhi Basavraj manages to present this idea in the manner where, ‘A moment of patience in a moment of anger prevents a hundred moments of regret’ was phrased with wisdom.
Even in this film its to be understood that people who are both eloquent and patients hardly get into fights. This awareness is illustrated through Somu (Shrestha), who angers young man at first thinks he is invincible and storm power facts.
But then life takes such a turn where he has to change his self and look for who he really is. If yes then would this happiness/ acceptance he will be comfortable with like how people have learnt to accept him.
What comes out clearly from the story is how society always looks down on people with an anger problem or those that are overly confident and full of themselves and yet they have good hearts, as these sets of characters are often quite a lot.
With the countryside of northern karnataka to the background where rural beauty is plenty at one of the village Somu lives in where he is outcast and shunned by everyone for being rude even though they know there is goodness in him to only dawn on his father Shankranna (Girish Jatti).
Father and son represent two totally opposite beliefs: constantly causing chaos anywhere and everywhere, then somehow in the end fighting under the praise and scorn of the masses and this climatic moment shifts the focus inside and starts off the personal development arc initiated by the self awareness ‘nurture them’ moment(s).
Somu Sound Engineer is the film that we get to that points out what is in the meaning of this title after we shouldered Agra’s our conscious and an understanding that no, Suri is again an impressive Аbí episode quite frankly.
Let us reveal ourselves step-by-step. Peroforably event post interval wherever tommy went abhi would find out his character naturally paced out unlike in most films due to the likelihood that Abhii first acted opposite prima-donna somu once i started with the abbies temper whereby all the sirs were so used to and expecting a complete shift ge replies fumming.
Without reservation, the second half does deliver upon Somu’s transformation into light although with an unavoidable sense of regret. Considering the number of the characters involved in such a village narrative attention to detail and atmosphere becomes though of utmost importance within this time zone.
Shrestha has managed to bring out emotions through acting which according to the nature of the character he had showed much potential but Jahangir’s character did not offer much connection apart from him being one of the village subjects making it irrelevant to the plot but jahangir’s bachelor life did serve funny moments.
Wherever the maasthi masti comes from, the dialogues are played out in such a way so as to make the audience understand the emotions whilst Charan Raj adds a village oriented viewpoint that provides another aspect yet fails on contributing towards the overall narrative; Abhi is focused on the direction and shrestha’s role makes the audience appreciate somu the sound engineer very much who impresses through a sound and visual journey where more than listening is felt mostly through somus’ experiences where feelings supersede words as such and this film portrayal of even marital angers also brings both turmoil yet understandable leap in personal development.
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- Genre: Drama
- Country: United States
- Director: Abhi
- Cast: Apoorva, Chandana Gowda, Girish Jatti
